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Gesture Drawing
with Alex Woo and Louis Gonzales

The top artists at the top studio never stop learning. But have you ever wondered who teaches them? Award-winning story artist, Alex Woo, does.

In this incredible, eye-opening course, Alex will break down the fundamentals of gesture drawing into 7 foundational topics. You will learn the importance of distilling gestures into lines of action and simple shapes, creating strong silhouettes, effectively using space, extrapolating ideas from a pose rather than just anatomy, and finally, finding stories in your gesture drawing.

For a limited time, Schoolism is excited to welcome Pixar story artist Louis Gonzales as a guest instructor. Critiqued Session students will follow the same Gesture Drawing with Alex Woo curriculum, but receive personalized feedback from Louis Gonzales.

"Gesture Drawing with Alex Woo and Louis Gonzales" consists of 8 lectures presented over 12 weeks.

Class size is limited to 12 students.

Lesson Plan

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Lesson Plan

Lesson 1 - Line of Action

The line of action is the foundation upon which you will build the rest of your drawing. It is analogous to the main idea or thesis in an essay paper. There is always a point to a well-written paper, and the same is true of a well-drawn drawing. For your first assignment, you will be distilling poses down to their bare essence - a single line of action.

Lesson 2 - Shape

Shape will help you determine the overall feel and dynamics of your drawing. It is another form of distillation, and the next step from your line of action. Your assignment this week will be to abstract poses into shapes.

Lesson 3 - Silhouette

Creating a strong silhouette will enhance your drawing's "readability". A strong drawing should be "readable" even when it is completely blacked out. This week, you will be drawing with the intention of creating strong silhouettes.

Lesson 4 - Space

Using space will help give your drawings depth, and make them feel grounded in a physical reality. Spatial depth will add dimension to your work and help pull your viewer into your drawing. For this assignment, you will focus on creating depth and space in your gesture drawings.

Lesson 5 - Exaggeration

Using exaggeration in drawings is analogous to using hyperbole in a rhetorical debate: you're pushing extreme examples in order to effectively communicate your ideas. In gesture drawing, we should aim for communicative accuracy over anatomical accuracy. For this week's assignment, you will focus on pushing and pulling aspects of the pose in order to effectively communicate your ideas.

Lesson 6 - Extrapolation

Extrapolation is the process by which you "read between the lines" and see beyond what is there. Through successful extrapolation, you will SEE a pose of limbs, muscle and bone, but FEEL an idea, emotion, or action. For your assignment, you will extract ideas you see in the pose, and instill them onto unrelated characters and objects.

Lesson 7 - Story

Story is the most important element in all of gesture drawing. All of the earlier topics we covered are meaningless unless they are used in the service of a greater good - telling a story. Your assignment this week will focus on drawing the pose in the context of a story.

Lesson 8 - Final Review

I will review the course topics, talk about how they fit into the final communication of your story, and offer you my final thoughts on gesture drawing and its importance on growing as an artist.

2 Ways to Learn

With Video Feedback

Get personalized feedback from Louis Gonzales.

Scheduled Course Dates:

Open

Jun 12, 2013

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Self-Taught (100 Days)

Learn at your own pace, start whenever you like.

This class is not available in Self-Taught form.

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